(…) On the contrary, Nozick writes, there are instances where by mixing one’s labor with something in nature, one loses one’s labor without making any gain: “If I own a can of tomato juice and spill it in the sea so that its molecules (made radioactive, so I can check this) mingle evenly throughout the sea, do I thereby come to own the sea, or have I foolishly dissipated my tomato juice?” The answer is obviously the latter, he argues.
Text #15
Li, V., Shaw, A., & Olson, K. R. (2013). Ideas versus labor : What do children value in artistic creation ? COGNITION, 127(1), 38–45. doi:10.1016/j.cognition.2012.11.001
The procedure is simple: have an adult direct a child making a work of art (so that the adult is contributing the guiding ideas while the child is contributing “brute” labor). Then, reverse the roles: have the child supply the guiding idea while the adult follows directions and executes the work of art. Finally, have the child chose which final product she prefers to take home with her: the one that incorporated her effort or the one that reflects her idea?
In a second experiment, the researchers used a similar situation but now they tricked the subjects so that children believed that the drawing contained their ideas when it actually contained the adult’s idea (and vice versa, they believed that the drawing which they had actually created while being directed by an adult was the one that incorporated their ideas).
In a third experiment, they used a third person narrative to lay out a comparison between someone who contributes labor and someone who contributes ideas to the creation of an object. Who should keep the resulting product?
These studies demonstrated that by 6 years old, children value ideas over physical labor. Six year olds systematically chose pictures that contained their own ideas over pictures that contained their labor, even when they were merely tricked into believing that they had come up with the idea for a picture that they had not. Further, 6 year olds demonstrated a general appreciation of ideas – they not only valued their own ideas (Studies 1 and 2), but also privileged idea creators over laborers in a property dispute (Study 3). In contrast, 4 year olds appear to have preferred pictures that contained their specific idiosyncratic preferences. Four year olds preferred pictures containing their ideas, but also their idiosyncratic preferences in Study 1 and pictures they believed contained their labor but also their idiosyncratic preferences in Study 2. Further supporting this possibility, in Study 3 where idiosyncratic preferences could not play a role in selection, 4 year olds showed no bias for either a third-party idea creator or laborer. Six year olds, by way of contrast, sided with the idea creators in third-party case, even when they personally had no connection to the idea.
The age effect in these studies may exist because 6, but not 4 year olds, understand that ideas are valuable and can thus be owned.
In conclusion, the tendency to value ideas is present in childhood and may emerge between 4 and 6 years old. 6 year olds value ideas over labor even when making third-party judgments, favoring those who only contributed ideas as more deserving of a picture over those who only contributed labor.
Text #10
Kanngiesser, P., Gjersoe, N., & Hood, B. M. (2010). The effect of creative labor on property-ownership transfer by preschool children and adults. Psychological Science : A Journal of the American Psychological Society / APS, 21(9), 1236–1241.
Another important study by Kanngiesser.
Let me first paste the abstract:
“We investigated whether preschool children and adults believe that ownership of one person’s property is transferred to a second person following the second person’s investment of creative labor in that property. In our study, an experimenter and a participant borrowed modeling-clay objects from each other to mold into new objects. Participants were more likely to transfer ownership to the second individual after he or she invested creative labor in the object than after any other manipulations (holding the object, making small changes to it). This effect was significantly stronger in preschool children than in adults. Duration of manipulation had no effect on property-ownership transfer. Changes in the object’s identity acted only as a secondary cue for children. We conclude that ownership is transferred after an investment of creative labor and that determining property ownership may be an intuitive process that emerges in early childhood.”
First reflection: even though from our theoretical point of view we like to distinguish between things like “creation”, “discovery” or “transformation through the investment of labor”, maybe these are not too different from each other from the point of view of the child. That is, in all these cases, there is an agent that develops a purposeful and laborious activity on the object that is transformed as a result; and that is transformed into something that is either beautiful, or useful, or has value in some way. So children (and humans in general) understand that value is created through an agent’s activity. (This is Locke’s thesis, and it’s also part of our common sense). Once you think about it in these terms, it makes sense that children don’t pay attention to things like “duration of possession” or minor manipulations of the object; they don’t follow such mechanistic criteria, they look at transformations that make sense.
This paper, therefore, does not belong to the topic of “ownership transfer” but to the topic of “ownership claims”, in my opinion. If you take the duck and make an ashtray, you might say that the ownership of the play dough was transferred. But you can also say that you destroyed the duck and created an ashtray. You are the owner of the object you created (ownership principle).
“When asked to justify their property ownership decisions, 3-year-olds never mentioned creative labor, whereas 4-year-olds justified ownership transfers with explicit reference to creative investment. Moreover, we found that for children, the main component of creative labor was the invested effort, and the secondary component of creative labor was changing an object’s identity.” “We found that this transfer overruled an established bias to assign ownership to the individual who first possessed an object.”
“We found that children transferred ownership more frequently after making small changes to another person’s object than after possessing the same object, a result suggesting that children’s ownership judgments may even be finely calibrated to the amount of effort invested in an object.”
Creative labor has an effect on ownership judgments in adults, but the effect is less pronounced in adults than in children.
The Mind Cult 